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The Amsterdamse Joffers was a group of women artists in Amsterdam who met weekly in the last quarter of the 19th century to paint and show their works together. They were known for their style that followed the example of the Amsterdam Impressionists, and were all members of the Amsterdam artist societies Arti et Amicitiae and Sint Lucas, and most followed the lessons by the Amsterdam professor August Allebé of the Rijksakademie van beeldende kunsten of Amsterdam. == History == In the late 19th century and early 20th century in Amsterdam a group of young women had come together to found a circle. Their goal was to pursue painting as a form of art. They came from wealthy families, and were therefore not forced to fight their livelihoods. They had almost all the visited the Rijksakademie van beeldende kunsten of Amsterdam. One exception was Sue Robertson, who had visited the Polytechnic in Delft and received private drawing lessons. Lizzy Ansingh had received private lessons in addition to the lessons with August Allebé, Nicolaas van der Waay and Carel Dake. Nelly Bodenheim was an illustrator and was thus not a painter in the sense of this art movement more. Coba Ritsema initially received her education in the Haarlem he School of Art and than at the ''Rijksakademie van beeldende kunsten Amsterdam'' - there she was in a women's group. - Here she was taught from August Allebé, Nicolaas van der Waay and Carel Dake, too. She received from Thérèse Schwartze, Jacob Ritsema (her brother), Carel Lodewijk Dake, George Hendrik Breitner and Fredik Theodorus Grabjin secondary education. Some of her students were Coba Suri, Jan van den Hengst, Tine honey, Victoire Winix and Lize Duyvis. This group was made up to a circle. They had weekly a meeting in the house of Thérèse Schwartze. Subject was the exchange of experiences from her work as an artist.〔Here the Dutch tradition of Pulchri Studio as part of the Hague School, the ''Kunstbeschouwingen'' (art critic under friends) happened, too.〕 Sue Robertson, Jacoba Surie, Johanna Elisabeth Westendorp-Osieck and Coba Ritsema were members of Arti et Amicitiae and Pulchri Studio. In 1912, this movement received the name ''Amsterdamse Joffers'' by an art critic of Albert Plasschaet . This word was used in a newspaper article. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Amsterdamse Joffers」の詳細全文を読む スポンサード リンク
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